Laundry Day

Laundry, as a task, is perhaps the perfect marriage of OCD and ADHD.
The OCD is satisfied by the sorting, by the matching of socks, by getting everything folded just so, and finally put in their proper space.
The ADHD is satisfied by the process: you can’t get bogged down because the task requires you to merely hop in and out of the laundry room; loading and transferring and unloading and folding and hiding away in drawers and closets.

More Reading, More Thoughts

I am in the middle of a collection of short works by Thomas Mann, a German writer active from the late 1800’s. This collection begins with a short story from 1897 and ends with a piece acknowledged as the pinnacle of his achievement, written in 1912. He continued to write after this for decades, but was apparently never again quite satisfied with his output. I have yet to reach this piece, being forced to pause a moment to acknowledge certain thoughts corresponding to what I have already read.

You might notice the alteration to my elocution – an alteration which is entirely in sympathy with the works to which I have so recently been exposed. A certain stilted formality, perhaps. Further reading of this piece might render transparent a definite and nearly inflexible morality.
These are hallmarks of Mann’s writing, at least at this stage of his career.
He is a powerful writer, gripping in spite of the austere subject matter, the overbearing morality, the lack of plot in deference to basic character study.

These facts of Mann’s writing begin to inform opinions, thoughts on possible social and moral lines connecting the world in which Mann wrote to that in which Durrenmatt wrote some 50 years later. You may recall, or may wish to revisit or even visit for the first time, what I wrote on Durrenmatt some three months ago.
Granted that Mann was German and Durrenmatt was Swiss, there are definite sympathies in style, in tone, and even in subtext. I look forward to reaching the “grand piece” of Mann’s collection; it should prove informative and perhaps conclusive on the subject of those potential sympathies. I suspect that I will have more to say on the subject at such time as I am able to complete my perusal of this current collection.

Review – Ghosts of Manhattan

Ghosts of Manhattan, by George Mann; published 2010, 236 pages.

A fascinating melange of steampunk, noir detective, and properly researched alternative history, with notes of the supernatural dusted across the top for good measure. Add a bit of solid character study and more than a little rock ’em sock ’em action, and this makes for an entertaining read.

Review – Rocket to the Morgue

Rocket to the Morgue, by Anthony Boucher; originally published 1942, rereleased 2019; 224 pages.

A competent “locked-room” mystery with solid and believable characters – albeit couched in the rather stilted and archaic language of the period. Interesting as a mystery, but more interesting to me as a snapshot of science fiction in the period of its infancy immediately prior to WWII.

Review – Swamp Story

Hiaasen, Barry, Dorsey. Florida’s Big 3. All writers of crime fiction variously described as zany, madcap, wacky, or simply humorous. Hiaasen has achieved the most renown, and Dorsey is (BY FAR) the most prolific. Barry remains best-known for his humorous non-fiction.

Swamp Story by Dave Barry, published 2023; 306 pages.

Review – Just Enough Jeeves

Just Enough Jeeves, consisting of two novels and eleven short stories written by P.G. Wodehouse between 1910 and 1947 subsequently published in collection in 2010. A grand total of 712 pages of light-hearted British witticism.
It’s a lot to take in.

Review – the Judge and his Hangman

The first novella in a pair collected as “The Inspector Barlach Mysteries,” this piece is incredibly well-crafted. Surprising. And surprisingly engaging.

Written by Friedrich Durrenmatt in 1950, this edition translated by Joel Agee in 2006; published 2006, 90 pages (of 209 total).

Dreams, a commentary (No. 1)

Dreams, eh?  They’re just stories, right?  Stories your own brain tries to tell you while you aren’t paying attention.  They don’t really mean anything.  That’s what you’ve got to tell yourself.  Over and over, you’ve got to tell yourself that, that they don’t mean anything.  You have to.  Because if they did actually mean something.  If those stories your own mind was trying to tell you while you weren’t paying attention, if *those* stories meant anything, anything at all….